Australia to Teachers: Show Me The Money
“Schools have warned they will have to turn off the internet if a move by the nation’s copyright collection society forces them to pay a fee every time a teacher instructs students to browse a website.
“Teachers said students in rural areas would bear the brunt of cuts if the Copyright Agency was successful in adding internet browsing charges to the $31 million in photocopying fees it rakes in from schools.
“The agency calculates the total due by randomly sampling schools each year for materials they copy, and extrapolating the results.”
Simon Hayes. Copyright Makes Web a Turn-Off. Australian IT. Feb. 28, 2006.
CopyCense™: K. Matthew Dames on the intersection of business, law and technology. A business venture of Seso Digital LLC.
Da Vinci Code Case Turns On Ideas
“Britain’s High Court was plunged into the arcane world of Templars, Merovingians and characters such as Pepin the Fat as lawyers argued Tuesday over the genesis of the mega-selling thriller The Da Vinci Code.
“A lawyer for the novel’s publisher said ideas about the life and legacy of Jesus Christ that two writers claim were stolen for Dan Brown’s blockbuster are so general that they are not protected by copyright, and that many key themes of their book are not in The Da Vinci Code.”
Jill Lawless. Lawyer in Da Vinci Code Case in Britain Says Ideas Too General for Copyright. Canada.com. Feb. 28, 2006.
See also:
Guardian Unlimited. DaVinci Code Author Begins Copyright Battle. Feb. 27, 2006.
Updates:
Tim Wu. Holy Grail Wars. Slate. March 13, 2006.
CopyCense™: K. Matthew Dames on the intersection of business, law and technology. A business venture of Seso Digital LLC.
Creative Commons Sponsors Remix Contest
“The Copyright Criminals Remix Contest, which is sponsored by the nonprofit copyright licensing organization Creative Commons, is all about promoting remixing culture and encouraging artists like Miller to make their work legally and affordably available for other musicians to manipulate.
“DJ Spooky and other musicians gave interviews for a documentary called “Copyright Criminals” by Atlanta artist Ben Franzen and Kembrew McLeod, an assistant professor of communications studies at the University of Iowa. For their film about the rise of sampling and remix culture, the two talked to musicians, artists, lawyers, scholars, music industry executives and others.
“McLeod and Franzen eventually made a 10-minute trailer of their film available online, and just days later, someone posted a rap song about the film on the Creative Commons community remixing project site, CCMixter. Inspired by the unsolicited rap, the two men decided to organize a contest and began to encourage pubic submissions of new songs made from elements of the interviews shown in the film trailer.”
Daniel Terdiman. “Copyright Criminals” Look to Remix the Noise — Legally. News.com. Feb. 27, 2006.
CopyCense™: K. Matthew Dames on the intersection of business, law and technology. A business venture of Seso Digital LLC.
Lawsuits? Fashion Don’t Need No Stinkin’ Lawsuits
Advocates for strong IP rights argue that absent such rights copyists will free-ride on the efforts of creators and stifle innovation. This orthodox justification is logically straightforward and well reflected in the law. Yet a significant empirical anomaly exists: the global fashion industry, which produces a huge variety of creative goods without strong IP protection. Copying is rampant as the orthodox account would predict. Yet innovation and investment remain vibrant.
Why, when other major content industries have obtained increasingly powerful IP protections for their products, does fashion design remain mostly unprotected — and economically successful? The fashion industry is a puzzle for the orthodox justification for IP rights. This paper explores this puzzle.
Kal Raustiala & Chris Sprigman. The Piracy Paradox: Innovation and Intellectual Property in Fashion Design. Social Science Research Network. January 2006.
See also:
Rick Karr. Fashion Industry Copes with Designer Knockoffs. National Public Radio. Sept. 18, 2003.
Jennifer Mencken. A Design for the Copyright of Fashion. Boston College Intellectual Property & Technology Forum. Dec. 12, 1997.
CopyCense™: K. Matthew Dames on the intersection of business, law and technology. A business venture of Seso Digital LLC.
Revisiting Section 108 & Corporate Libraries
In light of a recent correspondence with Michael K. Reddy, a colleague with whom I worked a few years ago on the Copyright Committee of the American Association of Law Libraries, I believe it is necessary to revisit the debate over whether Section 108 of the Copyright Act applies to corporate or for-profit libraries.
Unfortunately, the information I found does resolve the debate conclusively.
In a footnote to a May 2002 article about the applicability of fair use (Section 107) and the library exceptions (Section 108) in the private sector, author James S. Heller quotes a portion of the legislative history to Section 108 to support the notion that for-profit and corporate libraries can use Section 108 as a copyright limitation. Heller, a former chairman of AALL’s Copyright Committee, quotes the following language from H.Rep. 94-1476, at 75 (1976)
Isolated, spontaneous making of single photocopies by a library in a for-profit organization, without any systematic effort to substitute for photocopying for subscriptions or purchases, would be covered by section 108, even though the copies are furnished to the employees of the organization for use in their work. Similarly, for-profit libraries could participate in interlibrary arrangements for exchanges of photocopies, as long as the production or distribution was not ‘systematic’. These activities, by themselves, would ordinarily not be considered ‘for direct or indirect commercial advantages’, since the ‘advantage’ referred to in this clause must attach to the immediate commercial motivation behind the reproduction or distribution, rather than to the ultimate profit-making motivation behind the enterprise in which the library is located. On the other hand, section 108 would not excuse reproduction or distribution if there were a commercial motive behind the actual making or distributing of the copies, if multiple copies were made or distributed, or if the photocopying activities were ‘systematic’ in the sense that their aim was to substitute for subscriptions or purchases.
On the other hand, Mary Minow, editor of LibraryLaw Blog wrote the following response in March 2005 to a question about whether Section 108 applies to corporate or for-profit libraries.
[T]he issue arises as to whether a for-profit library is a Section 108 library. The Copyright Office Circular 21 (.pdf, 105 KB) discusses libraries and archives in profit-making institutions. The legislative history shows that the Senate and House differed on this point.
The Conference Report says that libraries in for-profit institutions can use Section 108 for interlibrary loan and isolated, spontaneous single copying, so long as they meet the rest of Section 108’s criteria, including not making copies for commercial motivation.
The Senate Report essentially says that 108 applies only to nonprofit libraries. It says that the “without any purpose of direct or indirect commercial advantage” language is intended to preclude libraries in profit-making organizations from making copies in furtherance of the organization’s commercial enterprise. Note: If Sect. 108 fails, you can always see if the use might qualify as Fair Use under Sect. 107.
The House Report says that a purely commercial enterprise can’t just call itself a library and then use 108. However, it finds that 108 can be used to allow isolated, spontaneous making of single copies by a library in a for-profit organization. For-profit libraries can use interlibrary loan so long as the reproduction or distribution is not “systematic” (a substitute for subscriptions or purchases) and the copies are not for immediate commercial motivation.
My own experience in talking with various corporate libraries is that many if not most take advantage of Sect. 108.
CopyCense‘s editors then went back and looked at Circular 21 (.pdf, 105 KB), issued by the U.S. Copyright Office, and found the following relevant passages.
Senate Report: Discussion of Libraries and Archives in Profit-Making Institutions
The limitation of section 108 to reproduction and distribution by libraries and archives “without any purpose of direct or indirect commercial advantage” is intended to preclude a library or archives in a profit-making organization from providing photocopies of copyrighted materials to employees engaged in furtherance of the organization’s commercial enterprise, unless such copying qualifies as a fair use, or the organization has obtained the necessary copyright licenses. A commercial organization should purchase the number of copies of a work that it requires, or obtain the consent of the copyright owner to the making of the photocopies.…
House Report: Discussion of Libraries and Archives in Profit-Making Institutions
Under this provision, a purely commercial enterprise could not establish a collection of copyrighted works, call itself a library or archive, and engage in for-profit reproduction and distribution of photocopies. Similarly, it would not be possible for a non-profit institution, by means of contractual arrangements with a commercial copying enterprise, to authorize the enterprise to carry out copying and distribution functions that would be exempt if conducted by the non-profit institution itself.The reference to “indirect commercial advantage” has raised questions as to the status of photocopying done by or for libraries or archival collections within industrial, profitmaking, or proprietary institutions (such as the research and development departments of chemical, pharmaceutical, automobile, and oil corporations, the library of a propriatary [sic] hospital, the collections owned by a law or medical partnership, etc.).
Isolated, spontaneous making of single photocopies by a library in a for-profit organization, without any systematic effort to substitute photocopying for subscriptions or purchases, would be covered by section 108, even though the copies are furnished to the employees of the organization for use in their work. Similarly, for-profit libraries could participate in interlibrary arrangements for exchange of photocopies, as long as the reproduction or distribution was not “systematic.” These activities, by themselves, would ordinarily not be considered “for direct or indirect commercial advantage,” since the “advantage” referred to in this clause must attach to the immediate commercial motivation behind the reproduction or distribution itself, rather than to the ultimate profit-making motivation behind the enterprise in which the library is located. On the other hand, section 108 would not excuse reproduction or distribution if there were a commercial motive behind the actual making or distributing of the copies, if multiple copies were made or distributed, or if the photocopying activities were “systematic” in the sense that their aim was to substitute for subscriptions or purchases.
…
Conference Report: Discussion of Libraries and Archives in Profit-Making Institutions
Another point of interpretation involves the meaning of “indirect commercial advantage,” as used in section 108 (a)(1), in the case of libraries or archival collections within industrial, profit-making, or proprietary institutions. As long as the library or archives meets the criteria in section 108(a) and the other requirements of the section, including the prohibitions against multiple and systematic copying in subsection (g), the conferees consider that the isolated, spontaneous making of single photocopies by a library or archives in a for-profit organization without any commercial motivation, or participation by such a library or archives in interlibrary arrangements, would come within the scope of section 108.
In summary, the Senate report says corporate libraries do not qualify for Section 108; the House report strongly suggests that a corporate library would qualify for Section 108 if the copies were made in “isolated” circumstances; and the Conference report says a corporate library would qualify for Section 108 if that library “meets the criteria in section 108(a).” Among that criteria in Section 108(a) is a requirement that “the collections of the library or archives are (i) open to the public, or (ii) available not only to researchers affiliated with the library or archives or with the institution of which it is a part, but also to other persons doing research in a specialized field.”
There are legitimate arguments that support corporate libraries’ eligibility for and disqualification from the Section 108 limitation. And given this new information, it seems like our initial assessment that corporate libraries do not qualify for the Section 108 limitation simply because “most of a corporate library’s activities are done for ‘direct or indirect commercial advantage'” was based upon analyzing a set of resources that was narrower than the additional information that has been presented in this article. We regret this error.
But this additional information neither proves conclusively that corporate libraries or libraries in for-profit institutions may use Section 108 as a copyright limitation, nor does it prove conclusively that corporate libraries may not use Section 108 as a copyright limitation. At the end of the day, it seems we have a draw. Therefore, we see no reason to change our initial conclusion that “corporate libraries probably do not qualify to use the Section 108 copyright limitation.” In reasserting our conclusion, we recognize that reasonable people can, and will continue to, disagree on this point.
As always, however, corporate libraries and libraries in for-profit institutions may use the fair use doctrine as a possible copyright limitation.
CopyCense personnel will be attending the public hearing that the Section 108 Study Group hearing is convening in Washington, DC on March 16. We hope that the Study Group discusses the applicability of Section 108 in the corporate environment.
Editor’s Note: Our original story, “Library Copying in the Digital Age,” has been updated to include this additional commentary. Further, that story’s “Resources” section has been updated to include the additional sources listed below.
See also:
K. Matthew Dames. Library Copying in the Digital Age. CopyCense. Jan. 31, 2006.
LibraryLaw Blog. Follow Up Questions and Answers for Last Week’s ALA Copyright Webcast. March 10, 2005.
James S. Heller. Copyright, Fair Use and the For-Profit Sector. Information Outlook. May 2002.
Kenneth D. Crews. Digital Libraries and the Application of Section 108 of the U.S. Copyright Act. Dec. 6, 2001.
James S. Heller. Where Have You Gone Fair Use: Document Delivery in the For-Profit Sector. Information Outlook. January 2000.
U.S. Copyright Office. Reproductions of Copyrighted Works by Educators and Librarians (Circular 21). (.pdf, 105 KB) September 1995.
CopyCense™: K. Matthew Dames on the intersection of business, law and technology. A business venture of Seso Digital LLC. CopyCense™ and CommuniK.™ are trademarks of Seso Digital LLC.
Revisiting Section 108 & Corporate Libraries
In light of a recent correspondence with Michael K. Reddy, a colleague with whom I worked a few years ago on the Copyright Committee of the American Association of Law Libraries, I believe it is necessary to revisit the debate over whether Section 108 of the Copyright Act applies to corporate or for-profit libraries.
Unfortunately, the information I found does resolve the debate conclusively.
In a footnote to a May 2002 article about the applicability of fair use (Section 107) and the library exceptions (Section 108) in the private sector, author James S. Heller quotes a portion of the legislative history to Section 108 to support the notion that for-profit and corporate libraries can use Section 108 as a copyright limitation. Heller, a former chairman of AALL’s Copyright Committee, quotes the following language from H.Rep. 94-1476, at 75 (1976)
Isolated, spontaneous making of single photocopies by a library in a for-profit organization, without any systematic effort to substitute for photocopying for subscriptions or purchases, would be covered by section 108, even though the copies are furnished to the employees of the organization for use in their work. Similarly, for-profit libraries could participate in interlibrary arrangements for exchanges of photocopies, as long as the production or distribution was not ‘systematic’. These activities, by themselves, would ordinarily not be considered ‘for direct or indirect commercial advantages’, since the ‘advantage’ referred to in this clause must attach to the immediate commercial motivation behind the reproduction or distribution, rather than to the ultimate profit-making motivation behind the enterprise in which the library is located. On the other hand, section 108 would not excuse reproduction or distribution if there were a commercial motive behind the actual making or distributing of the copies, if multiple copies were made or distributed, or if the photocopying activities were ‘systematic’ in the sense that their aim was to substitute for subscriptions or purchases.
On the other hand, Mary Minow, editor of LibraryLaw Blog wrote the following response in March 2005 to a question about whether Section 108 applies to corporate or for-profit libraries.
[T]he issue arises as to whether a for-profit library is a Section 108 library. The Copyright Office Circular 21 (.pdf, 105 KB) discusses libraries and archives in profit-making institutions. The legislative history shows that the Senate and House differed on this point.
The Conference Report says that libraries in for-profit institutions can use Section 108 for interlibrary loan and isolated, spontaneous single copying, so long as they meet the rest of Section 108’s criteria, including not making copies for commercial motivation.
The Senate Report essentially says that 108 applies only to nonprofit libraries. It says that the “without any purpose of direct or indirect commercial advantage” language is intended to preclude libraries in profit-making organizations from making copies in furtherance of the organization’s commercial enterprise. Note: If Sect. 108 fails, you can always see if the use might qualify as Fair Use under Sect. 107.
The House Report says that a purely commercial enterprise can’t just call itself a library and then use 108. However, it finds that 108 can be used to allow isolated, spontaneous making of single copies by a library in a for-profit organization. For-profit libraries can use interlibrary loan so long as the reproduction or distribution is not “systematic” (a substitute for subscriptions or purchases) and the copies are not for immediate commercial motivation.
My own experience in talking with various corporate libraries is that many if not most take advantage of Sect. 108.
CopyCense‘s editors then went back and looked at Circular 21 (.pdf, 105 KB), issued by the U.S. Copyright Office, and found the following relevant passages.
Senate Report: Discussion of Libraries and Archives in Profit-Making Institutions
The limitation of section 108 to reproduction and distribution by libraries and archives “without any purpose of direct or indirect commercial advantage” is intended to preclude a library or archives in a profit-making organization from providing photocopies of copyrighted materials to employees engaged in furtherance of the organization’s commercial enterprise, unless such copying qualifies as a fair use, or the organization has obtained the necessary copyright licenses. A commercial organization should purchase the number of copies of a work that it requires, or obtain the consent of the copyright owner to the making of the photocopies.…
House Report: Discussion of Libraries and Archives in Profit-Making Institutions
Under this provision, a purely commercial enterprise could not establish a collection of copyrighted works, call itself a library or archive, and engage in for-profit reproduction and distribution of photocopies. Similarly, it would not be possible for a non-profit institution, by means of contractual arrangements with a commercial copying enterprise, to authorize the enterprise to carry out copying and distribution functions that would be exempt if conducted by the non-profit institution itself.The reference to “indirect commercial advantage” has raised questions as to the status of photocopying done by or for libraries or archival collections within industrial, profitmaking, or proprietary institutions (such as the research and development departments of chemical, pharmaceutical, automobile, and oil corporations, the library of a propriatary [sic] hospital, the collections owned by a law or medical partnership, etc.).
Isolated, spontaneous making of single photocopies by a library in a for-profit organization, without any systematic effort to substitute photocopying for subscriptions or purchases, would be covered by section 108, even though the copies are furnished to the employees of the organization for use in their work. Similarly, for-profit libraries could participate in interlibrary arrangements for exchange of photocopies, as long as the reproduction or distribution was not “systematic.” These activities, by themselves, would ordinarily not be considered “for direct or indirect commercial advantage,” since the “advantage” referred to in this clause must attach to the immediate commercial motivation behind the reproduction or distribution itself, rather than to the ultimate profit-making motivation behind the enterprise in which the library is located. On the other hand, section 108 would not excuse reproduction or distribution if there were a commercial motive behind the actual making or distributing of the copies, if multiple copies were made or distributed, or if the photocopying activities were “systematic” in the sense that their aim was to substitute for subscriptions or purchases.
…
Conference Report: Discussion of Libraries and Archives in Profit-Making Institutions
Another point of interpretation involves the meaning of “indirect commercial advantage,” as used in section 108 (a)(1), in the case of libraries or archival collections within industrial, profit-making, or proprietary institutions. As long as the library or archives meets the criteria in section 108(a) and the other requirements of the section, including the prohibitions against multiple and systematic copying in subsection (g), the conferees consider that the isolated, spontaneous making of single photocopies by a library or archives in a for-profit organization without any commercial motivation, or participation by such a library or archives in interlibrary arrangements, would come within the scope of section 108.
In summary, the Senate report says corporate libraries do not qualify for Section 108; the House report strongly suggests that a corporate library would qualify for Section 108 if the copies were made in “isolated” circumstances; and the Conference report says a corporate library would qualify for Section 108 if that library “meets the criteria in section 108(a).” Among that criteria in Section 108(a) is a requirement that “the collections of the library or archives are (i) open to the public, or (ii) available not only to researchers affiliated with the library or archives or with the institution of which it is a part, but also to other persons doing research in a specialized field.”
There are legitimate arguments that support corporate libraries’ eligibility for and disqualification from the Section 108 limitation. And given this new information, it seems like our initial assessment that corporate libraries do not qualify for the Section 108 limitation simply because “most of a corporate library’s activities are done for ‘direct or indirect commercial advantage'” was based upon analyzing a set of resources that was narrower than the additional information that has been presented in this article. We regret this error.
But this additional information neither proves conclusively that corporate libraries or libraries in for-profit institutions may use Section 108 as a copyright limitation, nor does it prove conclusively that corporate libraries may not use Section 108 as a copyright limitation. At the end of the day, it seems we have a draw. Therefore, we see no reason to change our initial conclusion that “corporate libraries probably do not qualify to use the Section 108 copyright limitation.” In reasserting our conclusion, we recognize that reasonable people can, and will continue to, disagree on this point.
As always, however, corporate libraries and libraries in for-profit institutions may use the fair use doctrine as a possible copyright limitation.
CopyCense personnel will be attending the public hearing that the Section 108 Study Group hearing is convening in Washington, DC on March 16. We hope that the Study Group discusses the applicability of Section 108 in the corporate environment.
Editor’s Note: Our original story, “Library Copying in the Digital Age,” has been updated to include this additional commentary. Further, that story’s “Resources” section has been updated to include the additional sources listed below.
See also:
K. Matthew Dames. Library Copying in the Digital Age. CopyCense. Jan. 31, 2006.
LibraryLaw Blog. Follow Up Questions and Answers for Last Week’s ALA Copyright Webcast. March 10, 2005.
James S. Heller. Copyright, Fair Use and the For-Profit Sector. Information Outlook. May 2002.
Kenneth D. Crews. Digital Libraries and the Application of Section 108 of the U.S. Copyright Act. Dec. 6, 2001.
James S. Heller. Where Have You Gone Fair Use: Document Delivery in the For-Profit Sector. Information Outlook. January 2000.
U.S. Copyright Office. Reproductions of Copyrighted Works by Educators and Librarians (Circular 21). (.pdf, 105 KB) September 1995.
CopyCense™: K. Matthew Dames on the intersection of business, law and technology. A business venture of Seso Digital LLC. CopyCense™ and CommuniK.™ are trademarks of Seso Digital LLC.
Is Jerry West the Man in the NBA Logo?
“The NBA logo is, outside of the Olympic rings and the Nike “swoosh,” the world’s most recognizable sports emblem. For years, players, fans and journalists have assumed that the figure depicted within the familiar NBA logo is Jerry West, the Los Angeles Lakers’ Hall of Fame guard and the current president of basketball operations for the Memphis Grizzlies.
“And yet, in a league with a well-deserved reputation for hyping even the most mundane milestone, the NBA did not celebrate the recent 35th anniversary of the logo’s unveiling. The league has also refused to acknowledge publicly that West is the player in the logo. A high-ranking NBA official who asked that his name not be used told me that the identification of West is an ‘urban myth’ and that the league has ‘no definitive records’ about who designed the logo.”
David Davis. If West Is the NBA’s Logo, Should He Be? Fox Sports. Feb. 18, 2006.
Attribution: CopyCense first learned about this story from a post in The Trademark Blog, edited by Marty Schwimmer.
CopyCense™: K. Matthew Dames on the intersection of business, law and technology. A business venture of Seso Digital LLC.