COPYCENSE

“With the MP3, recorded music no longer has a physical form, just as digital text no longer embodies the physical page. Music’s transition from the analogue to the digital is far from complete. Musicians, distributors, and listeners are still adapting to the changes that going digital is causing. Musicians have new methods of recording and are experimenting with new ways reaching their audiences. Distributors of music are struggling to develop new business models in the digital, online and networked world. Listeners have a new relationship with music, now that they can access their entire music collection from an iPod.

“Music’s pioneering shift to the digital shows what lies ahead for the digital book in many ways. For example, we are learning from initial applications of DRM, including Apple restrictions on songs bought in the iTunes Music Store, Sony’s disastrous attempt to deploy its DRM Rootkit and Sun’s Open DRM initiatives. Some ideas will work, and some will not. These early implementations of DRM will certainly inform how it is applied to digital texts.”

if:book. The Life and Afterlife of Vinyl Records. May 19, 2006.

CopyCense™: The law, business, and technology of digital content. A business venture of Seso Digital LLC.